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Sound
- I know I just featured another Mcilroy guitar on the previous
spotlight, but, hey, this is an A25. Why show the A25 again?
Well, for one thing, as of December, it's officially our best-selling
guitar. But, more important, after playing lots of these guitars,
I can say without reservation that it is one of the best fingerstyle
guitars available anywhere at any price right now, and
its $2000 price tag surely sets it in a class by itself. [prices
have increased since the writing of this review]
The tone of this guitar is literally unlike any guitar I've ever
played. I mean, sure, there are echoes of that cedar/walnut tone
you get in other great UK guitars. But outside of Dermot's other
guitars, I don't know of any guitars that bring together rich, ringy
mids and trebles with warm, meaty walnut lows in a such a balanced
and character-rich package.
I love to drop this guitar into DADGAD and play songs that let
me whack out the low A and low D. Yes, cedar/walnut guitars do love
DADGAD, but there's a meaty fullness in the lows on this guitar
that I just haven't heard on any other guitar. The sustain is marvelous,
and every single note—not just those meaty lows—has character.
One recent A25 customer described each of the guitar's notes as
"singing", and I can certainly second that characterization.
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Summary
- I occasionally like to let Shoreline's customers do the talking
in my reviews. So, rather than bore you with my own litany of praise
for these guitars, I'll just encourage you to read what this previous
A25 buyer had to say:
"This is a great instrument -you've done it again -set me
up with one of the best guitars I've ever played! The guitar is
definitely a keeper. It is wonderfully responsive, with great sustain,
a beautiful bass tone, and a nice string balance. It's one of those
instruments that is a joy to play, and like the MJ-80,
just has a lot of music in it that flows out effortlessly. Not only
that, it's really visually stunning. It happens to have just the
right tone for the new album we're about to begin. You've proved
once again that you really have the ear for judging an excellent
guitar—and I'll certainly trust it in the future. Based on this
one, I might be interested in looking into the kind of spruce/walnut
Mcilroy which you previously featured on the spotlight."
And here's another:
"The McIlroy is just as you described it — like a Lowden
but better — the notes are clear and meaty and balanced — every
string is strong — there's no weak note! The action is very good.
The quarter touches the treble E string but there's not even a hint
of a buzz. There's a little space on the bass side. The craftmanship
couldn't be better — I can't imagine anyone regardless of price
building a finer guitar than this."
And one more:
"The McIlroy arrived late yesterday and I had already headed
home (Halloween duties). Thanks for taking the time to talk and
for shipping the guitar so fast. Drove up this morning as I could
not wait until Monday and wow. It is a great instrument. I am in
awe of the quality and sound for the price. Thanks for a great experience.
Now, it's time to talk about a Brook 12 fret as Santa Cruz and Collings
just do not cut it anymore after 10 minutes on the McIlroy."
And another:
"I am just really inspired by the McIlroy I recently received. It has all of the qualities I like in a guitar, including responsiveness, character, depth of tone, playability, the perfect set-up for me...and more... Once again, I appreciate your ear and your judgment in selecting a special instrument for me. Dermot has really created a successful formula with this guitar. The design, the combination of woods, the resonance and tone fundamentals, the craftsmanship, string balance, and playability - all these qualities synchronize magically for an instrument that fits my fingerstyle approach very well. I'm sure it will be a fine addition to our CD in progress. I'll be relying on you for all of my guitar needs in the future.
Thanks again for your advice and service."
And another:
"Frankly, I haven't been able to think about any other guitars
since acquiring the Mcilroy A25c...it's magic! Maybe I should just
stop now....no more guitars.....no,no...what am I saying? I tried
to play my Collings and Gibson Dove today and just felt absolutely
nada. A bit later I picked up the Mcilroy and just fell under its
spell immediately. What is it with those guitars?"
And another:
"I have been playing my new Mcilroy for most of the day and just wanted to tell you that now I finally get what you've been telling me. It is truly remarkable and in a class above anything else I have ever played. I wasn't even speaking the same language as you before. As far as trying to describe how much I like the guitar.....there are no words. All I can say is that you are not getting this one back."
And another:
"I recently purchased a McIlroy A25C small jumbo guitar from
you and wanted to let you know I am totally blown away by this guitar
in every way. Beautiful tone, playability and the craftsmanship
is outstanding. I cannot put this guitar down and it has brought
much joy to me. I am so happy that I researched thoroughly and found
your website and recommendations. I have lived with multiple sclerosis
for that last 14 years. Playing guitar at times has not been possible
due to this illness. I suffer from much neuropathy in my hands and
feet. The playability of my McIlroy helps me to enjoy longer practice
times and much less fatigue. I cannot thank you enough for your
recommendation of the McIlroy - I simply LOVE THIS GUITAR. The sustain
is forever and each day that I play (usually can't wait to get home
from work to play it) the sound grows and grows - I just smile and
throw my head back in delight."
And one of my favorites:
"I'm speechless."
And one more:
"The A25 is the finest guitar I've ever played — and I've
played a few buddy. Picked it up this morning on my planning hour,
brought it home, tuned it up, and started playing "Waiting
for the Times To Get Better" from the Kirtley video. I hit
those first four quarters and the open A and stopped because I was
laughing and shaking my head. OH MY GOD I thought, maybe an Olson
or Ryan would sound better but I can't see how. Fabulous guitar,
amazing bass, gorgeous wood (my dad would have loved it) and so
perfect to play. In a word, I think I'll keep it...until I die,
in fact I might be buried with it. I believe a big fat thank you
is in order...to you and to Dermot and whomever put this baby together.
Hope this doesn't sound catty but I think this is the way a Lowden/Goodall
should sound...hehe..."
And finally:
"I took delivery today on a new McIlroy A25C....Holy cow!
This is the nicest guitar I've ever played, and I have played and
owned Collings, Bourgeois, Lowden, Mauel, Martin, Taylor... Everything
other than Ryan and Olson have passed through my hands. The model
I have is a Walnut/Cedar cutaway in an auditorium body. Beautiful
finish, more so than the Lowdens have, with a slick looking Brazilian
Rosewood bridge. The neck is great, and the action is buttery smooth,
without that slimy feel of an electric guitar, but all the nice
movement of one. The sound is beautiful... A real meaty low-end,
more so than Rosewood (which is more lush to my ears, and great
except with Cedar, where it gets too lush, IMHO). Highs ring out,
with incredible expression. No matter where I place the melody,
it rings out, even in the bass register. With cutaway, plus a B-Band
AST, I paid $2205 [prices have since increased]. New. Are you kidding me? This is a no-brainer,
folks. Order one today."
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